After a very well received documentary on Jeff Koons, director/producer Alison Chernick continued to explore the avant garde art scene by filming Matthew Barney use 45,000 pounds of petroleum jelly,...

After a very well received documentary on Jeff Koons, director/producer Alison Chernick continued to explore the avant garde art scene by filming Matthew Barney use 45,000 pounds of petroleum jelly, a factory whaling vessel and traditional Japanese rituals to create his latest art project. All with the help with fellow collaborator BjÓ§rk. Alison's film premieres at the Berlin Film Festival in February but if you can't wait – here's the trailer (it took us forever to download tho').Trailer For Matthew Barney In No Restaint

READ THIS ARTICLE FOR $15
$15 provides access to this article and every case-study, interview, and analysis piece that we publish for the next 30 days. Our Premium Subscription also provides access to a database of over 100,000 articles on innovation in brand, customer, and retail experience.
Already a subscriber? Log in