Comprehensive Digital Archives And The Fall Of Tangibles

Comprehensive Digital Archives And The Fall Of Tangibles
technology

D.C. punk band Fugazi sets out on the task of compiling all live footage and delivering it to anyone with an Internet connection and love of thrashing, pointing to the ongoing death of rarity.

Stephanie Pottinger
  • 6 may 2011

Last week, we reported on the Internet’s increasing capability to kill ‘rarity’, thus robbing us of the thrill of hunting for hard-to-come-upon music and footage. It’s probably safe to say that music nerds will continue to dig in secret basement record shops and travel the world amassing and then digitizing cassette tapes from far-flung regions, for many reasons. The tangibles (a dusty record sleeve with liner notes penned by a cult-favorite writer) and intangibles (the stories of interactions with gatekeepers that led a record digger to a choice find) will always be enough to motivate an admittedly dwindling few on the prowl for physical manifestations of their favorite music.

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