Unlike 3D Printing, 3D Weaving Uses Old Techniques for Futuristic Forms
Designer Jim Chen-Hsiang Hu shows off an emerging method of clothes-weaving that overcomes 3D printing in range of texture and thread integrity
Jim Chen-Hsiang Hu’s graduation collection at Central St. Martins takes a close look at fashion’s most basic element, thread, and turns it into a malleable material with height, width and depth. Unlike in 3D printed clothing, Chen-Hsiang Hu’s collection moves into 3D territory without a clear jump off point.
On his website, he describes his creativity as “Dedicated to design and techno development.” His “Xi” collection pieces were all done in red, with laser-cut fabric that blend naturally into shapes that extend the human form. The cut-outs of the flat fabrics seem to predate the 3D forms, forming dark shadows that accentuate the protrusions. The designer won the L’Oreal Young Talent Award for his work on 3D weaving.